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Help!!!! English question.?

I have no clue what it is asking me to do!!!!

Read the following excerpt, then write an essay that analyzes the author's use of tone, diction, setting, and figurative language to create an overall effect upon the reader.

"Come, let us go."

"Whither?"

"To your vaults."

"My friend, no; I will not impose upon your good nature. I perceive you have an engagement.

Luchresi —"

"I have no engagement; —come."

"My friend, no. It is not the engagement, but the severe cold with which I perceive you are afflicted. The vaults are insufferably damp. They are encrusted with nitre."

"Let us go, nevertheless. The cold is merely nothing. Amontillado! You have been imposed upon. And as for Luchresi, he cannot distinguish Sherry from Amontillado."

Thus speaking, Fortunato possessed himself of my arm; and putting on a mask of black silk and drawing a roquelaire closely about my person, I suffered him to hurry me to my palazzo.

There were no attendants at home; they had absconded to make merry in honour of the time. I had told them that I should not return until the morning, and had given them explicit orders not to stir from the house. These orders were sufficient, I well knew, to insure their immediate disappearance, one and all, as soon as my back was turned.

I took from their sconces two flambeaux, and giving one to Fortunato, bowed him through several suites of rooms to the archway that led into the vaults. I passed down a long and winding staircase, requesting him to be cautious as he followed. We came at length to the foot of the descent, and stood together upon the damp ground of the catacombs of the Montresors.

The gait of my friend was unsteady, and the bells upon his cap jingled as he strode.

"The pipe," he said.

"It is farther on," said I; "but observe the white web-work which gleams from these cavern walls."

He turned towards me, and looked into my eves with two filmy orbs that distilled the rheum of intoxication.

"Nitre?" he asked, at length.

"Nitre," I replied. "How long have you had that cough?"

"Ugh! ugh! ugh! —ugh! ugh! ugh! —ugh! ugh! ugh! —ugh! ugh! ugh! —ugh! ugh! ugh!" My poor friend found it impossible to reply for many minutes.

"It is nothing," he said, at last.

"Come," I said, with decision, "we will go back; your health is precious. You are rich, respected, admired, beloved; you are happy, as once I was. You are a man to be missed. For me it is no matter. We will go back; you will be ill, and I cannot be responsible. Besides, there is Luchresi —"

"Enough," he said; "the cough's a mere nothing; it will not kill me. I shall not die of a cough."

"True — true," I replied; "and, indeed, I had no intention of alarming you unnecessarily — but you should use all proper caution. A draught of this Medoc will defend us from the damps."

Here I knocked off the neck of a bottle which I drew from a long row of its fellows that lay upon the mould.

"Drink," I said, presenting him the wine.

He raised it to his lips with a leer. He paused and nodded to me familiarly, while his bells jingled.

"I drink," he said, "to the buried that repose around us."

"And I to your long life."

He again took my arm, and we proceeded.

"These vaults," he said, "are extensive."

"The Montresors," I replied, "were a great and numerous family."

"I forget your arms."

"A huge human foot d'or, in a field azure; the foot crushes a serpent rampant whose fangs are imbedded in the heel."

2 Answers

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  • 1 decade ago
    Favorite Answer

    Firstly, you should establish what 'tone' 'diction' 'setting' and 'figureative language' means. Tone=style or mood, diction=style of speaking/accent, setting=where it takes place/scenery/surroundings, figurative language=not literal, what something represents, like metaphors, or emblems.

    So, now you know what they mean, you have to ask yourself questions:

    Tone: What is the style of whats going on? Whats the mood? is it happy, sad, tense?

    Diction: What type of speaking occurs? it is long soliloquies? short dialogue? Is what they say formal, casual? its is serious, funny? how many people are speaking?

    Setting: Where are the people talking? What are the surrounding like? what are we told? is it a bright sunny day outdoor or dark indoors?

    Figurative language: what objects are mentioned/involved? what do they represent?

    So, once your answer these questions in your own mind, you can remind yourself of the initial question, which is to see 'how all those things you just asked yourself about 'effects you' as the reader'

    Its not really about plot, its more about how the author makes the reader feel, in light of the list of characteristics you listed

    Source(s): Have a BA in English Literature
  • Anonymous
    1 decade ago

    The theme is a very important aspect of a short story; it is one of the most important parts of the story’s layout. The theme is the controlling idea that the author is trying to convey to the reader in his work. Edgar Allen Poe was a writer who used a dark and negative theme in his works. “The Cask of Amontillado” is no different; in this work the main theme that Poe utilizes is revenge, a perfect example of a dark and negative theme.

    Revenge is sworn at the beginning of the story by the character Montresor, who is also the narrator. He believes that he has been insulted by a rich and powerful man, named Fortunato, and therefore wants revenge against Fortunato. Montresor knows Fortunato as a “man to be respected even feared.” He also knows that Fortunato prides himself on his connoisseurship in wine, so Montresor realizes this is the mighty Fortunato’s weak point and using this against him, like an Achilles heel, he can have his revenge.

    It is all rather dark, dense, and obscure.

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