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Can one alter a lower leading tone?

I know all about raising the 7th to meet the tonic (e.g. --> B to C in the key of C major).

I just learned about lower leading tones, and a member of my bass section INSISTS that a lower leading tone "needs to be sung different", or "like a leading tone". Um, HOW does one alter this note? By making it higher? Lower?

The rules for altering an upper leading tone are clear and were very well covered at my university music program. You make it higher, so it "leads" into the tonic. I would appreciate it if someone could clarify this nuance for me :)

Alex

Update:

PS!!! --> must clarify - I was confused by the term upper and lower. I want to know how you might sing a leading tone differently if it RESOLVES DOWN. Everyone and their mother knows how to raise a leading tone that resolves upwards, but do you alter the tone of one resolving DOWN by a half step.

Sorry for the rookie mistake - I hope my question is clear now! Thanks to those who took the time to answer!

Update 2:

********************************************************************************************************************

ONE MORE CLARIFICATION : )

Good info Raymond...however one simple question remains: Do upper leading tones ever get altered the way lower leading tones can? Please focus any additional thoughts ONLY on the upper leading tone pitch/alteration....if there ever is any.

Thanks again folks!

Alex

2 Answers

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  • ?
    Lv 7
    8 years ago
    Favorite Answer

    A leading note is *by definition* any note that resolves to a note **one semitone** higher or lower.

    For instance, lower leading note in C major would be B leading to C and upper leading note would be Db resolving down to C.

    I suspect your friend is probably confusing ''subtonic'' (7th scale degree of diatonic scales, *one whole tone** below the tonic, e.g. Bb to C as tonic in C mixolydian - C-D-E-F-G-A-Bb-C - or C natural minor - C-D-Eb-F-G-Ab-Bb-C) with a leading tone proper which is also found on that 7th scale degree of diatonic scales, when the distance between it and the tonic is ALWAYS a single semitone!

    Best,

    Raymond

    EDIT: Were you to ''sing a leading tone differently'', it just wouldn't be a leading tone anymore *within the original key*...

    ''Writing that leading tone differently'' is quite another matter.

    For example, B to C in C major (you *don't* actually raise that 7th degree in major scales, only for harmonic minor and ascending melodic minor scales) is the lower leading note in that key. ''B'' is the enharmonic equivalent to ''Cb'' - that ''Cb'' could then be used as the **upper leading note** in context of Bb major or minor (Cb resolving down to Bb).

    So you basically have that *lower leading note* ''B'' in context of C major (or minor) commuted to the *upper leading note* ''Cb'' in context of Bb major or minor. And you would be singing the exact same *pitch* for both notes... :-)

    EDIT 2: Upper leading notes ***always*** get altered in context of major-minor tonality (inherited from Aeolian & Ionian modes). That second degree wouldn't be altered though in context of Phrygian Dominant scale ( http://en.wikipedia.org/wiki/Phrygian_dominant_sca... ) or Locrian mode ( http://en.wikipedia.org/wiki/Locrian_mode ), for instance.

    Hope that clarifies the issue.

  • petr b
    Lv 7
    8 years ago

    There are NO RULES, only a body of generalities about what composers have made which many agree upon as 'having worked.'

    Work it differently, and find an audience that is in general agreement that it works (other musicians are your first and best bet as your 'audience' to check in with), and there is 'no problem.'

    The trick is, in context, making it sound like it works, of course :-)

    Best regards.

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