We all of course love many different classical works, but there are some specific "parts" of some works - may be very small parts - with an incomparable effect, that have a very special place inside our hearts.
Here are some indicated parts of some classical works, that always have really a very special effect on me every time, I believe these are really abnormal genius compositions!
Mozart : Piano Concerto No. 14 - 2nd mov. - The part from 0:48 to 1:10 in this link. http://www.youtube.com/watch?v=IxEIQdf5ahA&feature=PlayList&p=3B6620A495E2591C&playnext=1&playnext_from=PL&index=23 Mozart : Piano Concerto No. 18 - 3rd mov. - The part from 0:35 to 0:43 in this link. http://www.youtube.com/watch?v=zO-s0XPn7GA Liszt : Hungarian Rhapsody No. 5 - The part from 6:25 to 8:20 in this link. http://www.youtube.com/watch?v=LrN4WJgOGPg Liszt - Mephisto Waltz No. 1 - The part from 4:22 till the end of this link. http://www.youtube.com/watch?v=7vuqiBd4P8w Verdi : Pace, pace mio Dio from La Forza De Destino - The part from 3:05 to 3:10 in this link. http://www.youtube.com/watch?v=tj-ZqiWcXe4&feature=related
Of course the complete works are all great, but the indicated parts are really special, so let me know if you have also some special musical parts, and please provide the links and indicate the exact times as I did.
Have a nice time.
hafwen2009-11-17T19:58:39Z
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Hi TK,
I like your question - and it reassures me that I'm not the only one around here who has "favourite" parts in a particular work!
Well, I'm currently obsessed with Vivaldi's bassoon concertos, and I've been listening to a dozen of them over and over, to the point where I feel like I know every note, every nuance...and yes, there are particular passages that I have a little "crush" on - I always look forward to those little bits!
At the moment, I'm crazy about his bassoon concerto in d minor, RV 481. I wanted to find a YouTube recording of Klaus Thunemann (my super-hero) but sadly I couldn't find one.
But I did find this one of Sergio Azzolini playing it on Baroque bassoon. It's a wonderful meaty interpretation - though not quite as juicy as my beloved Herr Thunemann's - but maybe I'm biased ;o)
Anyway, my favourite bits in this concerto are: -The passages from 1:49 - 1:58 (especially the last one, from 1:56 - 1:58.) -At 2:49, there's an amazing fruity low D...oooh it turns my innards to jelly! -From 3:06 - 3:08, there's a crazy downward run of 2 octaves.
Enjoy! Hafwen xoxox
@MissLimLam - you're right, those bassoon bits in the "Nina" Overture are gorgeous! H xox
My first "favorite musical part" is from the iconic recording of "Das Rheingold", by Solti and the Vienna Philharmonic; for which a special "THUNDER" machine was constructed: it is I believe, the loudest single sound ever recorded in the realm of classical music.
It, this recording, was I believe the very first made in what was then at that time referred to as "Stereophonic". The great Kirsten Flagstad came out of retirement to sing the role of "Fricka".
Am posting two links, together which include most of the 4th and final scene, to the end, the curtain drop(it's glorious all the way thru).
The first video(set VIII/IX) begins with Donner's "Heda! Hedo!"; wherein he summons the forces over which he has domain; and orders the gathered clouds to be dispersed. His mallet strikes on a stone at 1:57, and the thunder clap then ensues thru 2:07: http://www.youtube.com/watch?v=jcVjGBNrlCs
The second video concludes the opera: http://www.youtube.com/watch?v=Yj3wrJmY4EI
My second, a segment of the finale scene from Richard Strauss' "Salome". As she awaits frantically for the head of John the Baptist to be handed up to her on a silver platter, from the cistern in which he's imprisoned, the strings are "pinched": not plucked, but "pinched"(a unique device if I'm not mistaken, not employed by any other composer - please correct me if I'm wrong).
To the best I'm able to determine, in this video, this device is heard intermittently with ever diminishing intervals, during the three following time slots:
From Beethoven's 7th. Symphony, the progressive, then repetitive, then progressive octaves of the Poco Sostenuto, the first movement. In otherwords, the first fifteen or so bars:
http://www.youtube.com/watch?v=ptYQLXD8E6g
From La Boheme, the first scene where Mini has lost her keys, Rodolfo finds them but pretends he hasn't, and they introduce themselves.
From Rigoletto, the aria Gualtier Maldè!, where the young and innocent Gilda sings of her love for the poor student Gualtier, not realizing he is really the unscrupulous Duke Of Mantua.
Aaron Copeland's 'Fanfare For The Common Man' - the whole short piece.
Liszt's 'La Campanella' - the whole short work.
http://www.youtube.com/watch?v=R0wmi0y1Geg
(This version is being played by Alicia De Larrocha, the greatest woman pianist of our time.)
The Scriabin Piano Prelude. Opus 11, No. 8
http://www.youtube.com/watch?v=hVFp_gT0-dI
(Here is Rachmaninoff playing Sciriabin,)
From Rigoletto again, the famous quartet:
http://www.youtube.com/watch?v=xhwQ0QoIVGs
EDIT: I could probably go on and on with my list of favorite movents but it would take up a lot of space here. Great question!
Dittersdorf Bass Concerto movement 3 first 10ish bars. I love the double stops. Dvorak Wind Serenade Op 40 4th movement. Mussorgsky Pictures At An Exhibition all the movements