In an analog recording studio if you hear without any board no engineer straight to tape a recording when it is first heard live then when.?
it is played back ,why do some people say that sound quality wise there is a difference between the two when actually there isn't,if in analog recording formats the sound waves are fully represented on the medium (unlike digital where it is snapshots) then in essence it is the exact same sound so there is no difference between when it was "live" and played back,yet some engineers say well this tape recorder is better or this mike is better,truth be told it is all the same sound and there is no audible difference. Add a soundboard to it with eq the eq plus original sound still sounds the same "live" coming out of the headphones as played back, if you could put a concert hall with an audience in a studio then the sound would still be the same "live" as playback ,if you could have studio acoustics in a concert hall and had the audience be totally quiet for the "live" and then you played back no difference ,sound is sound,there is no difference between live and playback in the analog world if the equipment is maintained properly a recording is still a recording when it is "live" so why do people differentiate between live and recording ,if something is live it can still be a recording if a recorder is recording the music in a concert hall then it is both "live" and recording at the same time likewise a studio,if you have overdubs then the magic of the technology is that that original sound on say track one of multitrack is "live" again as is the overdub on track two ..
and also the stereo mix onto tape is a new performance thus with the technology "live" and if you are in a digital studio and you have auto tune that with the technology is still "live" I have a lot of experience with this I have been in a lot of studios and have been an engineer in my own studios in the past,truth be told also analog sounds way better than digital
I guess to some it up what I want to ask is why do some people say 'is it live or is it memorex?" when really it is both ,it is purely subjective saying the kind of live in a studio or without audience sounds different than playback or live in a concert is different than studio,there is still production value in a concert trust me and as for added eq in post production that is outside of the original recording the original still sounds the same. I mean if I put you in ..
a concert hall and blindfolded you and played back the same recording twice and asked you to pick which one is live ,which one would you pick, and if ,for that matter if I locked in room and brought a t.v. in and allowed you to see the 10 oclock news,which they do repeat later in the early morning could you say we were in the hour of ten and it's live or we are in the early morning and it's not???
listen to Sgt. Pepper at full volume on cassette or clean vinyl ,tell me where the background noise is eh
and even without Dolby the background noise is not there if the signal over powers it the signal remains the same as when you heard it live and noise is what limiters and compressors are for also ,but that does NOT change the sound the sound is STILL the same!!
Dolby Noise reduction reduces tape hiss NOT IRREDUCIBLE!!! Maintenance knocks out electrical noise,so do compressor limiters without changing the sound!!!
the sound vibrates the electro magnet in the microphone the sound then converts to electricity then a varying magnetic field ,it is stiil the same sound like when two kids play operator with two tin cans and a string ,sound doesn't have to be airborne to be sound it is the vibrations,in electronic amplification of sound the vibrations get turned to electricity thus representing the sound then with tape becomes a magnetic field again representing the sound hence ..
..Merriam - Webster's definition of a recording "a sound you can hear more than once" not an approximation of a sound .