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Orchestral wind players: how important is it for you to know when your partner should be in unison with you?

To know that for a certain melody, the other flutist/oboist/clarinetist/etc. is playing the exact same melody you are, and then at another point he/she's doubling you in thirds or sixths or octaves? What about incidental unisons, like just for a single note at the end of a melody?

3 Answers

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  • 10 years ago
    Favorite Answer

    I'm not entirely sure what you're asking here, but I'm guessing you're asking how you should know when and how your partner's part corresponds with yours. And to that I say, just read over their part. Even if you're not great at sight reading, you can have them play their part for you, and follow along as they play. Eventually, as you listen to them play their part along with yours, the more and more that you hear it, the more you'll know what to listen for and expect at certain parts.

    Source(s): 6 years of playing the flute and piccolo, going into the 7th. 3 years of marching band, going into fourth. Co-Captain for woodwinds my junior year, Captain of woodwinds my senior year, this year. Have a musical family, took private lessons as well as my school lessons, and have performed on countless stages and competition fields. Am a captain in a first place 2A band which has never left a competition with less than 3 1st place trophies. Have done performances on the side as well.
  • ?
    Lv 7
    10 years ago

    If you're trying to mimic the other instruments for any section they are in unison, you've already lost the game. You need to be solid on your part without relying on other instruments to hear where the melody (harmony) is going.

    If it is an intonation thing, then that needs to be addressed outside of the rehearsal hall/stage.

  • petr b
    Lv 7
    10 years ago

    You should know both parts as well as your own, always.

    That's the deal.

    Next, you should know all the other wind instrument players parts as well as your music, so you are that much better a 'section' player.

    Next, what the other sections are doing.

    Orchestral playing is completely about the whole, and not the individual.

    Best regards.

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