Would you say that Broadway shows have a huge racial bias?

In the past, I think this has been true, but as America progresses, I think you can see strides in Broadway's racial dynamic. For instance, directors are a lot more willing to envision a production outside of the general racial lines. Cat on a Hot Tin Roof, revived on Broadway now and starring an entirely African-American cast (including James Earl Jones and Terrance Howard) is the most recent example. You see more of this in the movies, as well, with traditionally "white" roles going to people of color. It's very encouraging. In regard to roles written for Asian people being played by whites, I know, again, that this sort of thing happened in the past, but I've not heard of like it in recent years. In fact, I'm pretty sure there'd be a big public outcry over something so amazingly, overtly racist. There are, however, Asian playhouses and unions for Asian actors, because traditionally, Broadway has mainly catered to Caucasians. Hope this helps some, dear! Where do you perform? I am curious- are you a college student, or are you auditioning in professional theatres? I'm really surprised that a professional theatre, or an educational theatre, would cast non-Asians in roles written for Asian actors, if the choices were available to directors to do so. You're own example of Les Mis is a great example of progress, Les Mis, of couse, being a play about French people. Talented actors should never be blocked in by color of skin.

I believe Broadway may only be the end result of a bias in play writes and productions, these result from the type of stories being told and where we are telling them. I would say there is some built in bias but most of it is the cultural backdrop for which it is created. I wonder how many American (I assume referring to general Caucasian) roles are open in kabuki theater?

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