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John asked in Arts & HumanitiesPoetry · 3 years ago

Could somebody please critique this poem?

In Space

They call it "O," the point they make,

extending thence six segments straight

of which three plus directions take

called forward, right or up; create

their opposites - back, left or down -

which they are styling "negative,"

then stretch the ends past edge of town -

each duple axis, positive

and minus, perpendicular

to plane where other two may live.

These map-makers then go too far,

three signed coordinates t'assign,

three distances from ev'ry point

to get to any axis line.

What omnipresent powers annoint

these heads that feign to compass all

of space? They fear no vanity

nor reckon hearts of poetry

can sing their own geometry

where most ingenious pride must fall,

can rhyme how technocratic men

colleague in Mother Earth's disgrace.

Let reason's evil graphing then

in its cartesian plane or space

be closed in mirror pentagons

or by dodecahedrons bound

that center on the origins

of weapons formuls we've found,

derived by fiends who view 'til late

their cursed, fallen, broken state -

contracting them nigh unto death.

The rest of space can take a breath,

its denisens no more play rubes

all sliced and diced in squares and cubes.

Despite each migit-devil's jibe,

a huge icosohedral room

then let some poets circumscribe

about each moaning jail-tomb

so now imps view, at their release,

on each triangular bulkhead

old bards portrayed who've found surcease

from diabolic plottings dread,

or angels framed in trinities

who do with hellions what they please.

14 Answers

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  • 3 years ago
    Favorite Answer

    Some great vocabulary in this. It's refreshing to see something beyond the usual teen angst and cliche love poems we see here. The end rhyme contributes some great humor to the piece.

  • 3 years ago

    Well, it's bad.

  • 3 years ago

    Not a poem in the strict sense. But who wants to be strict these days?

  • 3 years ago

    May be good .

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  • 3 years ago

    The first stanza is well-constructed. Nice metre and eurhythmic rhyme. After that though, it gets rather inconsistent and incredibly pretentious to the point where it would be difficult to join the reader to the poet. Having a large vocabulary is useful but complicated or pleasant sounding words are more often than not a dull choice whereas a simpler word may be much more eloquent and thought-provoking. It feels almost like an egotistical vanity project to me. I read poetry, both verse and prose, every single day for an hour or two a day and when I read a good poem, it puts me in a certain time, place, and summons a profound emotion. This one simply doesn't pass muster. Though it's worth point out that the author has a lot of potential that's untapped. However, it may take some time to unlearn the complicated verse the author uses and learn to use the correct context and regard to their reader.

  • 3 years ago

    I remember reading this on a poetry site.

    It won an award.

    Asking for critique seems pretty tongue in cheek to me.

  • Anonymous
    3 years ago

    The " Ousia". Io credo in Dio, Padre onnipotente, creatore del cielo e della terra; e in Gesů Cristo, suo unico Figlio, nostro Signore, il quale fu concepito di Spirito Santo, nacque da Maria Vergine, patě sotto Ponzio Pilato, fu crocifisso, morě e fu sepolto; discese agli inferi; il terzo giorno risuscitň da morte; salě al cielo, siede alla destra di Dio Padre onnipotente; di lŕ verrŕ a giudicare i vivi e i morti. Credo nello Spirito Santo, la santa Chiesa Cattolica, la Comunione dei santi, la remissione dei peccati, la risurrezione della carne, la vita eterna. Amen.

  • 3 years ago

    boring

  • 3 years ago

    it sounds good to me

  • Anonymous
    3 years ago

    This makes me feel like i have to poop

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