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The storm continues to brew after Mercutio’s death, and as the pursuit begins, it breaks. The emotions on the actors’ faces perfectly embody the original intent of the play. Romeo is filled with hatred and sadness, while Tybalt is experiencing deep regret and anger. The torrential rain falling on Verona symbolizes the tears of anger, hatred, and sadness all throughout the city. On that day, many people experienced the loss of two prominent members of Verona. Many knew Mercutio, and depending on the person, he was a son, friend, enemy, or lover. His family and friends mourned him. No matter how malicious Tybalt was to the Montague family and supporters, he was beloved by his fellow Capulets. He too was mourned by many, as a cousin, nephew, son, and friend. The rain pouring from the sky truly represents the multitude of tears and broken hearts in Verona. Romeo was not the only person affected by the deaths. Unfortunately, he was too wrapped up in his hatred to think about the

think about the effects of his actions in pursuing Tybalt. This combined with his already impulsive nature proved to yield a deadly outcome. That dark and stormy night would prove to be the scene for one of Romeo’s most regretted actions.

Banishment. Despair. These two words go hand in hand in striking fear in the hearts of Verona’s citizens. Therefore it is to be expected that Romeo is upset over his sentence, but he goes too far by comparing it to death. He reacts over-dramatically when he says, "Ha, banishment! Be merciful, say ‘death’; For exile hath more terror in his look, Much more than death: do not say ‘banishment’" (III. iii. 15-17.). Even before he leaves the city he is in a state of despair and hopelessness. In Baz Luhrmann's portrayal of the Mantua, Romeo's place of banishment, he depicts it as a desert camp where trailers and tumbleweed abound. It is a place where nothing can grow or flourish. The dry air and ground show no hint of moisture, and the plants

and the plants that thrive in these harsh conditions are uninviting and covered in thorns. Romeo is depicted alone in the middle of this desert camp. He is completely alone not only in his banishment, but in his mind. He has said that he would rather die than be banished, but he is already dead on the inside. He walks around the camp, fighting his way through air that's thick and stagnant. Despair clouds his judgment not only externally, but internally. The air outside reflects his pathway of thoughts inside. Every hope has died, and his mind is clouded and dim. He refuses to see how anything good could come of his banishment, regardless of the fact that he is alive and not dead. He is so despaired over his actions and sentence that no hope or optimism could enter his thoughts. He seemed to be fighting a war inside himself, a war only he knew about, and a war he was losing. Part of him wants to live and hope to be with Juliet, but the bigger part tells him that it was useless

that it was useless wanting that because his life was over. Because of his lack of optimism, Romeo sinks deeper and deeper into despair. He’s so sure that banishment is worse than death, and believing this misconception, he gives up and slowly begins to dig his grave in Mantua. It is because of his reluctance to look on the bright side of his predicament that he reacts harshly and recklessly at later points in the story, leading to his death.

The tragedy of Romeo and Juliet is filled with raging emotions. Among the passion between the two lovers is a wide range of feelings. Anger, hatred, and despair are a few notable recurring emotions. Each character experiences a mix of the three, some stronger than others. It is apparent that Mercutio has his fair share of trouble created largely by his barely suppressed anger, and Tybalt brings about his own death by his extreme hatred. In a series of events leading to his death as well as Juliet’s, Romeo is gripped by despair and hopele

hopelessness. All of these emotions create negative drama and excitement, but along with joy and love, they are a part of human nature. Dramas have a tendency to create scenarios caused by rash and small decisions, such as the choice to turn left instead of right. Throughout the drama of Romeo and Juliet, these small decisions grip the reader, and they are found smacking their heads at the seeming stupidity of whatever certain character is changing the plot. But no matter how ridiculed these emotions and their effects are, they are the defining qualities of the story, and entirely human. In the film, they are even more exemplified by the reflection in scenery and setting. These visual aides add greatly to the understanding of the story and characters. In a stunning turn of events, Baz Luhrmann created a memorable film to cater to the needs of multitudes of Americans looking for a good drama. Not only was it a good drama, but it was a lasting one as well. Generations from now,

Generations from now, people will watch the film in their own homes, rather than the theatre smelling of popcorn and baby burp-up, and revel at the inventive vision Baz Luhrmann brought to the original play. It is movies like this that people remember; movies that people want to watch on a rainy Friday afternoon, warm and snug in a blanket on the couch. Romeo and Juliet is more than a film, it’s a way for people to understand each others’ emotions: emotions that are human through and through.